The face that reads as her, only surer.
Medium coverage that lets skin breathe, a warm neutral lid, brows shaped into the arch already there, a lip that looks like her lips on their best day. Built for daylight, not flash. Sixty minutes from arrival to mirror. The face holds through brunch, through the afternoon, into the evening.
A skin assessment for texture, undertone, and the places that need most and least.
Foundation matched to your exact depth, pressed in thin passes so the skin still reads as skin.
Concealer only where it counts. Inner corner, chin, nowhere else.
Brows groomed and filled to the architecture already there, never overdrawn.
A warm neutral lid blended until the crease disappears into itself.
The barest contour on cheekbones and nose bridge. Nothing that announces itself.
A pillow-talk lip in a shade that reads closest on your skin.
A light setting mist and a daylight check before the artist leaves.
Sixty minutes at your door. The artist arrives and begins without ceremony.
Built for natural daylight first. The finish photographs cleanly without flash.
Still looks like you. A friend who hasn't seen you in months would recognise your face.
Foundation matched to depth and undertone before a single product opens.
A blotting sheet at noon if the T-zone asks for it. Nothing heavier.
Lip colour goes with you for the touch-up after coffee.
Holds through lunch and into the afternoon. Micellar cloth at home removes everything cleanly.
“She did my wedding makeup and I could not stop looking at myself. Soft, natural, completely me, and it lasted from the vows to the very last dance. The photos are timeless.”
A deposit of KES 750 holds your date. The balance is due on the day. Trials are booked separately and always recommended.